[M]ythology is a compendium of metaphors. — Joseph
Campbell
The following prompt is based on cognitive linguists, George
Lakoff and Mark Johnson’s thesis from their monumental work Metaphors We Live By: “If we are right
in suggesting that our conceptual system is largely metaphorical, then the way
we think, what we experience, and what we do every day is very much a matter of
metaphor” (124). Therefore, if our thoughts, experiences, and actions are rooted in metaphor, then what do those
metaphors of thought, experience, and action look like?
More specifically, what are the
metaphors that each of us live by
day-to-day?
It is important to be self-aware of
such metaphors because they dictate
everything about our social existence.
By researching
your own personal, conceptual metaphors you will begin to see how both culture and personality shape the way we perceive
reality.
So let’s begin with a definition of
metaphor: “The essence of metaphor is
understanding and experiencing one kind of thing in terms of another” (125,
emphasis in original). This is the most applicable definition describing the function of metaphor, because
metaphor transforms how we comprehend
one thing using the terminology and experience of another.
All linguistic concepts (for it is
hard to conceive of a concept outside of language) are structured through conceptual metaphors.
Some of Lakoff and Johnson’s most popular examples include: ARGUMENT IS
WAR,
THEORIES
ARE BUILDINGS,
IDEAS
ARE COMMODITIES,
KNOWING
IS SEEING,
and LOVE
IS MAGIC.
To
further explore
this idea let’s use the conceptual
metaphor GOD
IS LOVE.
This is probably the most important conceptual metaphor within the realm of the Christian religion today: “Anyone who does
not love does not know God, because God is love” (1 John 4:8); “God is love,
and whoever abides in love abides in God, and God abides in him” (1 John 4:16b).
What this is saying in terms of the conceptual metaphor is that we can better
understand God through the terminology and experience of love. Many apologists
will advise one not to misinterpret these verses as saying that wherever there
is love there is God and therefore the worship of love leads to the worship of
God, or even that in some new age way God is literally love or that Love is
literally god. But this type of thinking also misses the point of the metaphor; the metaphor defies logic because
the metaphor is arguing that God is
not literally love but that God can be better understood if we figuratively
think about God through the language of love. The GOD IS . . .
metaphor is a powerful metaphor that characterizes the entirety of a religion:
its thoughts, experiences, and actions. Even on a personal level we mustn’t forget to ask ourselves, “What is our metaphor for
God?”
GOD IS .
And though metaphors are embedded within a culture’s linguistic
heritage, we also have the ability to
create new ways of seeing: “New metaphors have the power to create a new
reality” (131). Mythologist Joseph Campbell also expressed that, “If you want
to change the world, you have to change the metaphor.” So like Shakespeare, who
changed the world into a stage, we have the
power to re-conceptualize our world through metaphor. What is your metaphor
for the world?
THE WORLD IS .
Because cultural metaphors are
socially constructed, they highlight
“certain realities and [hide] others” (132). What this means is, take for
instance any of the aforementioned examples, metaphors may help us see and experience one thing in terms of
another, yet blind us to other ways
of seeing, such as with the ARGUMENT IS WAR example; it hides looking at argument
as anything beyond the concept of war. But what if—as Lakoff and
Johnson suggest—we look at
argument in terms of dance, or, as I would suggest, a journey, or conversation.
Conceptually, dancing, journeying, and conversing bring out realities which lay
hidden behind the war metaphor. Dance would suggest that argumentation is not a
competition but a complimentary process of movement (action) as well as a
co-created artistic expression; a journey would suggest that argument is not
rivalry but understanding the experience of life through empathetic exchange; a
conversation would suggest that those who argue are neither winners nor losers
but are participating in a dialogue where each speaker gains valuable
information from the transaction. Looking at argument as war hides the
realities that argument can also be about co-creation, empathy, and sharing
information/knowledge.
“[T]ruth is always relative to a
conceptual system that is defined in large part by metaphor” (134); change the
metaphor and you change the way we see truth: “Metaphor is one of our most
important tools for trying to comprehend partially what cannot be comprehended
totally: our feelings, aesthetic experiences, moral practices and spiritual
awareness” (134). Metaphor reminds us of the limits of our experience but also
helps us to transcend the limitations of our experience. Metaphor is the
ultimate aspect of What-If Framing.
Language shapes the
way we think, and determines what we can think about.
|
— Benjamin Lee Whorf, American linguist noted for
his hypotheses regarding the relation of language to thinking and cognition
and for his studies of Hebrew and Hebrew ideas, 1897- 1941
|
- What is your analogy, metaphor, or simile for “life,” “love,” “music,” “communication,” “reading,” and “writing” (remember that personal mythology is just as much about looking without to look within as it is looking within to look without)?
- What, then, does this reveal about how you see yourself?
- Where might your analogy, metaphor, or simile start to break down? And why is this contrast important?
- How do you see your major/career in terms of an analogy, metaphor, or simile?
- What is the significance of framing it this way?
Metaphor
Analysis Mini-Project: As a separate exercise,
consider the lyrics to your favorite song: What analogies, metaphors (explicit
and implicit), and similes do they use? Why? And, most importantly, how does
the analogy, metaphor, or simile create an argument? If you can’t decide on a
song, follow the link to get started: http://www.stlyrics.com/lyrics/juno/alliwantisyou.htm.
*All
biblical quotes are from the ESV translation.
*All
italicized keywords and verb phrases are representative of implicit metaphors.
Source(s):
Lakoff, George & Mark Johnson.
1980. “Metaphors We Live By.” Language,
Thought, and Culture, U of P Chicago. pp. 124-134. Print.



